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| Dom zu I-Monza, Op 617 |
29 klingende Register |
1. |
Principal |
16' |
1. |
Principal |
8' |
2. |
Principal |
8' |
2. |
Bourdon |
8' |
3. |
Viola da gamba |
8' |
3. |
Octave |
4' |
4. |
Rohrflöte |
8' |
4. |
Rohrflöte |
4' |
5. |
Octave |
4' |
5. |
Nasard |
2⅔' |
6. |
Traversflöte |
4' |
6. |
Superoctave |
2' |
7. |
Quinte |
2⅔' |
7. |
Waldflöte |
2' |
8. |
Superoctave |
2' |
8. |
Sesquialtera |
I-II |
9. |
Mixtur V |
2' |
9. |
Scharf IV |
1' |
10. |
Cornet (ab f) |
III |
10. |
Schalmey |
8' |
11. |
Trompete |
8' |
11. |
Vox humana |
8' |
12. |
Clairon |
4' |
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Tremulant |
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1. |
Subbass |
16' |
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2. |
Octavbass |
8' |
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3. |
Octave |
4' |
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4. |
Rauschpfeife |
2⅔' |
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5. |
Posaune |
16' |
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6. |
Trompete |
8' |
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Positiv + Hauptwerk |
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Hauptwerk + Pedalwerk |
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Positiv + Pedalwerk |
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Disposition.pdf
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